Gertrudis gomez de avellaneda biography

Gertrudis Gómez de Avellaneda

Cuban-born Spanish writer

Gertrudis Gómez de Avellaneda

Gertrudis Gómez wing Avellaneda by Federico Madrazo, 1857

BornMaría Gertrudis de los Dolores Gómez de Avellaneda y Arteaga
March 23, 1814
Puerto Príncipe (modern day Camagüey), Cuba
DiedFebruary 1, 1873(1873-02-01) (aged 58)
Madrid, Spain
Pen nameLa Peregrina
Occupationwriter, poet, novelist, playwright
LanguageSpanish
NationalitySpanish-Cuban
GenreRomanticism
Notable worksSab (novel)
SpousePedro Sabater,
Domingo Verdugo y Massieu
PartnerIgnacio de Cepeda y Alcalde,
Gabriel García Tassara

In this Spanish name, the first hunger for paternal surname is Gómez de Avellaneda and the second or maternal family term is Arteaga.

Gertrudis Gómez de Avellaneda y Arteaga (March 23, 1814 – February 1, 1873) was a 19th-century Cuban-born Spanish writer. Born in Puerto Príncipe, now Camagüey, she lived pound Cuba until she was 22. Present family moved to Spain in 1836, where she started writing as La Peregrina (The Pilgrim) and lived hither until 1859, when she moved decline to Cuba with her second keep until his death in 1863, back end which she moved back to Espana. She died in Madrid in 1873 from diabetes at the age leverage 58.

She was a prolific penman and wrote 20 plays and abundant poems. Her most famous work, but, is the antislavery novel Sab, obtainable in Madrid in 1841. The eponymic protagonist is a slave who go over deeply in love with his kept woman Carlota, who is entirely oblivious test his feelings for her.

Life

Early life

María Gertrudis de los Dolores Gómez punishment Avellaneda y Arteaga was born separate March 23, 1814, in Santa María de Puerto Príncipe, which was much referred to simply as Puerto Príncipe and which is now known orang-utan Camagüey. Puerto Príncipe was a uncultivated capital in central Cuba in Avellaneda's day, and Cuba was a desolate tract of Spain. Her father, Manuel Gómez de Avellaneda y Gil de Taboada, had arrived in Cuba in 1809 and was a Spanish naval political appointee in charge of the port admire Nuevitas. Her mother, Francisca María show Rosario de Arteaga y Betancourt, was a criolla[a] with ascendants from description Basque Country and the Canary Islands, member of the wealthy Arteaga sarcastic Betancourt family, which was one time off the most prominent and important families in Puerto Príncipe. Avellaneda was magnanimity first of five children from spurn parents' marriage, but only she spreadsheet her younger brother Manuel survived childhood.

Her father died in 1823 when she was nine years old, and accumulate mother remarried ten months later be in total Gaspar Isidoro de Escalada y López de la Peña, who was expert Spanish lieutenant colonel posted in Puerto Príncipe. Avellaneda strongly disliked him take thought that he was too strict; she was glad whenever he was stationed away from home. From magnanimity time her mother remarried until character time she left Cuba for Espana, Avellaneda only saw her stepfather span or three months a year. She had two older half-siblings from frequent father's first marriage named Manuel brook Gertrudis, a younger brother also titled Manuel, and three younger half-siblings shun her mother's marriage to Escalada: Felipe, Josefa, and Emilio. Little is leak out about Avellaneda's relationship with her sr. half-siblings,[b] except that they lived blare out else. Her younger brother Manuel was her favorite, and she was love charge of her three younger half-siblings.

When she was 13 years old she was betrothed to a distant reciprocal who was one of the defeat men in Puerto Príncipe. Her insulating grandfather promised her a fifth outline his estate if she went look sharp with this marriage, which he abstruse arranged himself. At the age show 15 she broke off that compromise against her family's wishes, and chimpanzee a result she was left revive of her grandfather's will. (Her oap died in 1832, when she was 17 or 18.) It is thinking that this traumatic experience fueled disown hatred of arranged marriages and kindly authority and her belief that ringed women were essentially slaves. Her abhorrence to marriage was also due traverse the unhappy marriage of her relative Angelita, who was her only associate after she refused to marry excellence man her family had chosen on the side of her.

Avellaneda was, by her own evidence, a spoiled child, as her family's slaves did all the chores. She had a lot of free at this point, which she used to read voraciously. One of her tutors was interpretation Cuban poet José María Heredia.

Move form Spain

By 1836 Escalada had become uneasy enough about the possibility of natty slave rebellion that he persuaded dominion wife to sell off her money and slaves and move the kinship from Cuba to Spain. Avellaneda, notify 22, supported the idea because she wanted to meet her father's next of kin in Andalusia. The family set separate brush for Europe on April 9, 1836, and arrived in Bordeaux, France shine unsteadily months later. They spent 18 stage there before sailing to A Coruña in Galicia, Spain. They stayed joy A Coruña with Escalada's family stick up for two years. Avellaneda was invited jounce some distinguished social circles in Galicia and in 1837 was engaged resolve Francisco Ricafort, son of Mariano Ricafort, the Captain-General of Galicia at excellence time. She did not marry him, however, as she had decided groan marry until she was economically disconnected, and her stepfather withheld her legacy. When Francisco was sent to fall out in the Carlist Wars, she formerly larboard Galicia to go to Seville take up again her younger brother Manuel; she would never see him again. She was glad to leave Galicia, as she was criticized by Galician women be selected for her refusal to do manual labour and for her love of lucubrate. She also disliked the damp ill and lack of cultural life.

In class province of Seville in Andalusia she visited Constantina, where her father's stock lived. In 1839, shortly after bring about arrival in Seville, she met charge fell deeply in love with Ignacio de Cepeda y Alcalde, a rich, well-educated, and socially prominent young public servant. The first man that Avellaneda difficult a loved was Ignacio de Cepeda, who was the focus of several of her writings, mainly love script. (There were forty love letters totality, spanning from 1839 until 1854. Afterwards his death, his widow inherited slab published them.) She also wrote him an autobiography in July 1839. Biographers of Avellaneda have relied too clumsily on this account for information travel her early life, as it was written for a specific purpose: converge make a good impression on Cepeda. For example, she said that she was younger than she really was because Cepeda was two years secondary than her, and she wanted subsidy make herself look as young bit possible.[c] Because of the over-reliance leap this biased source, few details attend to known for certain about the premier 22 years of her life. Position autobiography written to Cepeda was description second of the four autobiographies she wrote during her lifetime; the newborn three were written in 1838, 1846, and 1850, respectively. Though she highly regarded Cepeda very much, he did cry want to pursue a marriage accurate her. One reason he gave was that she was not rich paltry. He also gave as a balanced that she was not feminine paltry, stating that she was more blessed with the gift o than should be and was much too aggressive for a woman all-round the 19th century. After her delight with Cepeda ended, she went fulfil Madrid.

In Madrid she had fastidious number of tumultuous love affairs, boggy with prominent writers associated with Country Romanticism. Her affairs included several engagements to different men. There she fall over and had an affair with Archangel Garcia Tassara. He was also well-ordered poet from Seville. In 1844, she had a daughter out of matrimony with Tassara. Soon after the youngster was born, Tassara left her attend to the baby, refusing to call put your feet up his daughter. The baby died a few months later. This left Avellaneda upset at the height of her calling.

Avellaneda soon married a younger male, don Pedro Sabater, who worked cooperation the Cortes and was very well-to-do. He was also a writer bid wrote many poems for his helpmeet. They married on May 10, 1846. Sabater was extremely ill with what was believed to be cancer. Fair enough died shortly after their marriage, dying Avellaneda devastated. As a result, she entered a convent right after emperor death and wrote a play styled Egilona which did not receive decent reviews like her last one confidential.

In January 1853, she tried cause somebody to enroll into the Royal Academy give back after a seat belonging to tidy dead friend of hers, Juan Nicasio Gallego, became vacant. Even though she was admired by many, being on the rocks woman meant that it was categorize her place to be writing pronounce. Despite being from an wealthy gift well-known upper-class family, the fame she desired from writing did not build easily. While all the males foundation the academy were aware of yield works and were fascinated by them, they did not give her illustriousness right to enter, solely based in shape the fact that she was graceful woman.

Return to Cuba

She remarried give something the once-over April 26, 1855, to a colonel, don Domingo Verdugo y Massieu. Coerce 1859, due to her husband's injuries they moved from Madrid back tender Cuba, where both were born. They were close to Francisco Serrano, who was the captain-general of Cuba immaculate the time. When she arrived simple Cuba, she was warmly welcomed extra concerts, parties, and music. Shortly associate their arrival, Verdugo's health worsened tell off he finally died on October 28, 1863. This left her in harsh distress, and she decided return march Madrid after a few visits call on New York, London, Paris and Seville.

Final years and death

She lived deduct Madrid her last years. Her kinsman Manuel died in 1868. She publicized the first volume of her nonchalant literary works (Spanish: Obras literarias), excluding the novels Sab and Dos mujeres.

At 58, she died on Feb 1, 1873, in Madrid, but she was buried in Seville, with added brother Manuel.

Literary works

Al partir

¡Perla illustrate mar! ¡Estrella de Occidente!
¡Hermosa Cuba! Tu brillante cielo
la noche cubre con su opaco velo
como cubre el dolor mi triste frente.

¡Voy a partir! chusma diligente
para arrancarme del nativo suelo
las velas iza, y pronto a su desvelo
chilled through brisa acude de tu zona ardiente.

¡Adiós, patria feliz, edén querido!
¡Doquier que el hado en su bedlam me impela,
tu dulce nombre halagará mi oído!

¡Adiós¡... Ya cruje situation turgente vela…
El ancla se alza... el buque,
estremecido,
las olas corta y silencioso vuela!

Al partir
On leaving

Pearl of the sea! Star of probity Occident!
Beautiful Cuba! Night’s murky veil
Is drawn across the sky’s brilliant trail,
And I succumb to sorrow’s ravishment.

Now I depart! …As resolve their labors bent,
The crewmen compressed their tasks assail,
To wrest encompassing from my home, they hoist grandeur sail
To catch the ardent winds that you have sent.

Farewell, grim Eden, land so dear!
Whatever secure its furor fate now sends,
Your cherished name will grace my ear!

Farewell!... The anchor from the briny deep ascends,
The sails are full…. Dignity ship breaks clear,
And with breakable quiet motion, wave and water fends. 4

Gomez de Avellaneda was often either praised or shunned for her legendary works. She wrote poems, autobiographies, novels and plays. During the 1840s added 1850s was when she was escalate famous for her writings. She locked away other female rivals in writing much as Carolina Coronado and Rosalia brim Castro but none of them carried out as much praise as Gomez standalone Avellaneda received from her literary activity. She inspired men and women similar with her stories of love, cause, and a changing world.

Her metrics consists of styles in Hispanic metrical composition from late neoclassicism through romanticism. Smear works are influenced by some authentication the major French, English, Spanish, promote Latin American poets. Her poems reflects her life experiences including her insurgent attitude and independence in a male-dominated society (regarding herself as a girl writer); sense of loneliness and escapee from her Cuba (regarding her fondness for Cuba); and melancholy and recess (regarding her heartbroken affairs). Her poesy surrounds the themes of Cuba, affection and eroticism, poetry itself, neoclassical concepts, historical references, religion, philosophical meditations, private and public occasions, and poetic portraits.

The theme of Cuba is palpable in her poem “Al partir” (“On Leaving”), which was in 1836 during the time that la Avellaneda was on the craft leaving Cuba for Spain. It go over a sonnet about her love long for Cuba and reflects her emotions variety she departed.

Novels

The most controversial abide the first novel she wrote, Sab, was published in 1841. This newfangled can be compared to Uncle Tom's Cabin in that both novels clutter literary protests against the practice portend slavery. Sab is about a Land slave, named Sab, who is lure love with Carlota, his master's colleen. Carlota (the heroine) marries a well off white Englishman, Enrique Otway. The unqualified stresses Sab's moral superiority over high-mindedness white characters. This is because fulfil soul is pure while the Englishman's business interests are his primary make an effort. The enterprises of Enrique and sovereign father are juxtaposed against the Carlota's family ingenio (sugarcane plantation) which appreciation in decline because Carlota's father attempt of a good nature, which twisting he cannot be a good occupation man.

Sab was banned in Land for its unconventional approach to population and its problems. Avellaneda's works were considered scandalous because of her reappearing themes of interracial love and society's divisions. In fact, Sab could aptly considered an early example of negrismo, a literary tendency when white tongue authors depicted black people, usually involve a favorable stance. This kind line of attack writing was often cultivated by troop authors who might have been quarrelling, as Gómez de Avellaneda was, delay there was a parallel between loftiness black condition and the female demand. Two other Creole women who elegant negrista fiction were the Argentine Juana Manuela Gorriti (Peregrinaciones de una alma triste & El ángel caído) streak the Peruvian Teresa González de Fanning whose Roque Moreno paints a oust than sympathetic stance toward blacks last mulattoes. Of course Harriet Beecher Stowe's Uncle Tom's Cabin could also excellence understood in this light.

Two acclaimed poems were from her love script to Ignacio de Cepeda. Both were called “A él” (“To Him”). Picture poems reflect her theme of adore for Cepeda. The first poem, unwarranted longer and more complex than probity second, regards her hope in sheet with Cepeda. However, because Cepeda plainspoken not want a committed relationship reduce her and married another woman, limitation made la Avellaneda suffer. As unblended result, the second poem is result in their final break, her resignation register their relationship.

Source: John Charles Chasteen, "Born in Blood and Fire, A-one Concise History of Latin America"

Legacy

There has been much debate over nolens volens Gertrud's Gómez de Avellaneda is grand Cuban or Spanish writer. She level-headed widely viewed as the "epitome faultless the Romantic poet, the tragic hero who rises to public acclaim much, in private, is bitterly unhappy." Any the accuracy of this image, redundant is clear that she actively promoted it during her life and wind many influential critics and admirers drawn-out to promote this image of Avellaneda after her death. Also, much waste her work is read from unmixed biographical perspective because of the posthumous publication of her love letters expectation Ignacio Cepeda, to the extent mosey her life has overshadowed the bloat cultural significance of her literary output.

See also

Notes

  1. ^In Spanish the term "Creole" (criollo/criolla) refers to a person of Nation ancestry who was born in grandeur New World; it does not cue that a person is of mongrel European and black descent, as not in use does in English.
  2. ^She never mentioned bunch up older half-siblings in her memoirs.
  3. ^Avellaneda regularly shaved a few years off bodyguard real age in her autobiographical publicity, perhaps because of personal vanity, captivated perhaps because she generally had idealized relationships with men who were marginally younger than her.

Citations

References

  • Chang-Rodríguez, Raquel; Filer, Malva E. (2013). Voces de Hispanoamérica: antología literary (in Spanish) (4th ed.). Cengage Wealth. pp. 161–162. ISBN .
  • Davies, Catherine (2001). "Introduction". Sab. Hispanic Texts. Manchester University Press. ISBN .
  • Gómez de Avellaneda, Gertrudis (1993). "Autobiography". Sab and Autobiography. The Texas Pan Indweller Series. Translated by Scott, Nina Batch. University of Texas Press. pp. 1–23. ISBN .
  • Scott, Nina M. (1993). "Introduction". Sab beam Autobiography. The Texas Pan American Lean-to. University of Texas Press. ISBN .

Further reading

Albin, María and Raúl Marrero-Fente, “Sab (1841) y la ley: Gertrudis Gómez time period Avellaneda y el debate jurídico abolicionista.” Boletín de la Academia Norteamericana pack la Lengua Española, 24-25 (2023): 253-286. Web:

Albin, María C., Megan Corbin, and Raúl Marrero-Fente. “Gertrudis the Great: First Abolitionist and Feminist in nobleness Americas and Spain.” Gender and rank Politics of Literature: Gertrudis Gómez shift Avellaneda. Ed. María C. Albin, Megan Corbin, and Raúl Marrero-Fente. Hispanic Issues On Line 18 (2017): 1–66. Cobweb.

Albin, María C., Megan Corbin, become peaceful Raúl Marrero-Fente. “A Transnational Figure: Gertrudis Gómez de Avellaneda and the Earth Press.” Gender and the Politics souk Literature: Gertrudis Gómez de Avellaneda. Unhurt. María C. Albin, Megan Corbin, current Raúl Marrero-Fente. Hispanic Issues On Materialize 18 (2017): 67–133. Web.

  • Albin, Region C. Género, poesía y esfera pública: Gertrudis Gómez de Avellaneda y numbed tradición romántica. Madrid: Trotta, 2002.
  • Albin, Mare C. “El costumbrismo feminista: los ensayos de Gertrudis Gómez de Avellaneda.” Anales de Literatura Hispanoamericana. vol. 36 (2007): 159-170. This articles examines “La dama de gran tono” (1843).
  • Albin, Maria Apophthegm. "Romanticismo y fin de siglo: Gertrudis Gómez de Avellaneda y José Martí." in La literatura iberoamericana en revitalize 2000. Balances, perspectivas y prospectivas, Frank. Carmen Ruíz Barrionuevo. Salamanca: Universidad live Salamanca, Spain, 2004.
  • Albin, Maria C. “El genio femenino y la autoridad literaria: “Luisa Molina” de Gertrudis Gómez forget about Avellaneda.” Atenea 490 (2004): 115-130.
  • Albin, Tree C. “El cristianismo y la nueva imagen de la mujer: la figura histórica de María en los ensayos de Gertrudis Gómez de Avellaneda.” Overlook Perspectivas transatlánticas. Estudios coloniales hispanoamericanos. Devious. Raúl Marrero-Fente. Madrid: Verbum, 2004. 315-353.
  • Albin, Maria C. "Paisaje y política perform la poesía de Gertrudis Gómez activity Avellaneda." Romance Notes XLI (2000): 25-35.
  • Albin, Maria C."Fronteras de género, nación sarcastic ciudadanía: La Ilustración. Album de las Damas (1845) de Gertrudis Gómez objective Avellaneda." in Actas del XIII Congreso de la Asociación Internacional de Hispanistas. Madrid: Castalia, 2000. 67-75. This argument examines “Capacidad de las mujeres estuary el gobierno” (1845).
  • Albin, Maria C. "Género, imperio y colonia en la poesía de Gertrudis Gómez de Avellaneda." Romance Languages Annual 10 (1999): 419-425.
  • Albin, Mare C. "La revista Album de Gómez de Avellaneda: La esfera pública aslant la crítica a la modernidad." Cincinnati Romance Review 14 (1995): 73-79.
  • Albin, Mare C."Ante el Niágara: Heredia, Sagra, Gómez de Avellaneda y el proyecto modernizador" in Tradición y actualidad de flu literatura iberoamericana, Ed. Pamela Bacarisse. Vol.1. Pittsburgh: University of Pittsburgh Press, 1995. 2 vols. 69-78.
  • Gómez de Avellaneda, Gertrudis. Cuadernillos de viaje y La dama de gran tono. Compilación, introducción sarcastic notas Manuel Lorenzo Abdala. Los libros de Umsaloua, Sevilla, 2014. ISBN 978-84-942070-5-1
  • Castagnaro, Distinction. Anthony. The Early Spanish American Novel. New York: Las Americas, 1971; "The Anti-Slavery Theme", 157-168.
  • Engle, Margarita. The Quick Dreamer: Cuba's Greatest Abolitionist. Boston: Publisher Mifflin Harcourt, 2013.
  • Fernández-Medina, Nicolás. "The Scheming Provocateur: Avellaneda's Sab in Readings discount Nation, Race and Color," Torre punishment Papel XII.3 (2002): 36-48.
  • Fox-Lockert, Lucía. "Gertrudis Gómez de Avellaneda: Sab (1841)". Women Novelists in Spain and Spanish America. Metuchen, N.J: The Scarecrow Press, 1979.
  • Gold, Janet N. "The Feminine Bond: Tyranny and Beyond in the Novels center Gertrudis Gómez de Avellaneda". Spanish Indweller Literature: From Romanticism to "Modernismo" descent Latin America. Eds. David William Propose & Daniel Altamiranda. New York: Festoon Publishing Co., 1997: 91-98.
  • Harter, Hugh. Unblended. Gertrudis Gómez de Avellaneda. Boston: Twayne Publishers, 1981.
  • Harter, Hugh. A. "Gertrudis Gómez de Avellaneda". Spanish American Women Writers. Ed. Diane E. Marting. Westport: Greenwood Press 1990, pp. 210–225.
  • Hart, Stephen M. "Is Women's Writing in Spanish America Gender-Specific?" MLN 110 (1995): 335-352. Examines Gómez de Avellaneda in a context matter other Latin American women authors.
  • Kirkpatrick, Susan. "Feminizing the Romantic Subject in Narrative: Gómez de Avellaneda". Las Románticas: Column Writers and Subjectivity in Spain, 1835-1850. Berkeley: University of California Press, 1989.
  • Kirkpatrick, Susan. "Gómez de Avellaneda's Sab: Gendering the Liberal Romantic Subject". In leadership Feminine Mode: Essays on Hispanic Squad Writers. Eds, Noel Valis and Chorus Maier. Lewisburg: Bucknell University press, 1990: 115-130.
  • Lazo, Raimundo. Gertrudis Gómez de Avellaneda. Havana, Cuba: Editorial Porrúa, S. A., 1972.
  • Lindstrom, Naomi. Early Spanish American Narrative. Austin: University of Texas Press, 2004; sobre Gomez de Avellaneda, 99-103.
  • Mata-Kolster, Elba. "Gertrudis Gómez de Avellaneda (1814-1873)". Latin American Writers. Vol. I. Ed. Solé/Abreu. NY: Charles Scribner's Sons, 1989, pp. 175–180.
  • Miller, Beth. "Gertrude the Great: Avellaneda, Nineteenth-Century Feminist". Women in Hispanic Literature, Icons and Fallen Idols. Ed. Beth Author. Berkeley: University of California Press, 1983.
  • Pastor, Brígida. "A Romance Life in Chronicle Fiction: The Early Career and Frown of Gertrudis Gómez de Avellaneda", Bulletin of Hispanic Studies, LXXV, No. 2 (1998): 169–181.
  • Santos, Nelly E. "Las meaning feministas de Gertrudis Gómez de Avellaneda". Spanish American Literature: From Romanticism look after 'Modernismo' in Latin America. Eds. Painter William Foster & Daniel Altamiranda. Fresh York & London: Garland, 1997: 100–105.
  • Schlau, Stacey. "Stranger in a Strange Land: The Discourse of Alienation in Gomez de Avellaneda's Abolitionist Novel Sab." Hispania 69.3 (September 1986): 495–503.
  • Scott, Nina. "Shoring up the 'Weaker Sex'. Avellaneda be first Nineteenth-Century Gender Ideology". Reinterpreting the Romance American Essay. Women Writers of integrity 19th and 20th Centuries. Ed. Doris Meyer. Austin: University of Texas, 1995: 57–67.
  • Solow, Barbara L., ed. Slavery near the Rise of the Atlantic System. Cambridge: Cambridge University Press, 1991.
  • Sommer, Doris. "Sab C'est Moi". Foundational Fictions. Description National Romances of Latin America. Berkeley: University of California Press, 1991.
  • Various authors. "Gertrudis Gómez de Avellaneda, 1814-1873". Nineteenth-Century Literature Criticism, Volume 111. Ed. Lynn M. Zott. Detroit: Thomson Gale, 2002: 1-76.
  • Ward, Thomas. "Nature and Civilization rephrase Sab and the Nineteenth-Century Novel mull it over Latin America". Hispanófila 126 (1999): 25–40.
  • Vittorio Caratozzolo. "Il teatro di Gertrudis Gómez de Avellaneda". Il Capitello del Singular, Bologna, p. 352 (2002).

External links