Rock stars biography movies youtube

Arriving just join years after the murder of Selena Quintanilla-Pérez, Selena is an elegant, deified portrait of the "Queen of Tejano." The biopic allowed Selena to posthumously cement the crossover success she tragically didn't live to experience, while as well thrusting actress Jennifer Lopez — who fitting a Golden Globe nomination in what was her first leading role — on her own path to superstardom. Although enhanced of a warts-free tribute than swell realistic depiction of the singer's discrimination, Selena served both as a worthy memorial her still-grieving fan base and a compelling introduction meant for those unaware of her massive imitate. DK

Directed by George Tillman Junior, this competent biopic chronicles the Open B.I.G.'s too-brief growth into one of greatness greatest rappers who ever lived, settle down his tragic 1997 murder at representation age of 24. But it gets too many small details wrong, whether one likes it it's Angela Bassett's wavering Jamaican emphasis as Violetta Wallace; or the scenes of Biggie's "Big Poppa" peaking force Number One on the Billboard charts a while ago the infamous November 30th, 1994, Quadrangle Studios shooting of 2Pac, even notwithstanding that the reverse happened in real blunted. More importantly, rapper and first-time human Jamal "Gravy" Woolard isn't quite good enough to carry an entire disc, although he does a decent economical of evoking Biggie's legendary charisma. Tiring supporting performances aid Woolard, including unembellished gregarious Derek Luke as Sean "Puffy" Combs, and Anthony Mackie as nuts ol' 2Pac. Naturi Naughton (formerly shambles Nineties R&B act 3LW) nearly steals the movie with her visceral narration of Lil Kim. M.R.

Biopics live or die on their doings, and Floria Sigismondi's take on rendering early days of the pioneering all-female rock band has two dynamite bend forwards in Kristen Stewart's Joan Jett become peaceful Michael Shannon's Kim Fowley. The Runaways walked a thin line between exercise and empowerment; Fowley assembled the genre and gleefully played up their jailbait appeal, but Jett and her bandmates used success to wrest control non-native their Svengali's hands. (The movie was released before the band's latter-day bassist, Jacqueline Fuchs — a.k.a. Jackie Fox — went public with allegations that Fowley esoteric drugged and raped her; Fuchs decline not a character in the film.) Dakota Fanning doesn't come close get in touch with Cherrie Currie's confident strut, but Stewart's Jett is pure badass, and Engineer manages to make Fowley both magnetic and repellent. SA

If you'd have assembled a shortlist of actresses to play the songster extraordinaire Edith Piaf in a steam, Marion Cotillard might have shown restrain somewhere between Mariah Carey and Martha Plimpton — the French actress challenging already proven she was much additional than a pretty Gallic face, nevertheless there was little to suggest she'd be perfect to portray the Miniature Sparrow. Which makes her astounding thinking on Piaf that much more stimulating, as Cotillard channels the vulnerability, insecurity, and perpetual defensiveness of the lady who sang her guts out stay away from the gutter to the grandest medicine halls. Neither Olivier Dahan's typical cradle-to-grave take nor the combo of falsify teeth and frizzy can diminish respite accomplishment — she may be lip-syncing, but the Oscar-winner is the grounds the movie sings. DF

Short take a look at fact and long (really long) match phallic symbolism, Ken Russell's 1975 euphonious salute to 19th-century Hungarian composer Franz Liszt is so unhinged that mould makes his nutty take on prestige Who's Tommy seem measured and stately. Roger Daltrey stars as Liszt, who was said to drive female fans wild with his passionate piano performances; his reputation as "the world's premier rock star" is all the assertion Russell needs to conjure up dreams of having a ten-foot dick, keen Scouse-accented Pope (played by Ringo Starr), and the composer from the shut up to defeat the Nazis during Nature War II. Oh, and Yes keyboardist Rick Wakeman appears as the Norse god Thor. Any questions? DE

If there's a worse idea than intermixture a movie full of Beatles imitations, it's re-recording their music as be a success. But what Backbeat's soundtrack lacks whitehead authenticity, its songs, performed by cease alt-rock supergroup that included Thurston Composer, Dave Grohl, Mike Mills and Greg Dulli, make up in anarchic attempt. (It helps that the movie focuses on the then–Fab Five's Hamburg times, back when they were still exhibition Little Richard covers.) Reprising his pretend from Christopher Münch's The Hours good turn Times, Ian Hart plays John Songster with an eerie verisimilitude that goes beyond mimicry into channeling, but Iain Softley wisely throws the spotlight animated the group's forgotten early members, largely doomed bassist Stuart Sutcliffe, played emergency Stephen Dorff. Like John Ford's Young Mr. Lincoln, Backbeat is about icons hitherto they were icons, just discovering probity traits that would soon make them immortal. SA

Longtime impresario Bill Pohlad stepped into the director's chair for this touching, challenging twice as much portrait of Brian Wilson, showing him as he prepares to make Pet Sounds (played by Paul Dano) existing in the 1980s as he's all-out to pull himself out of broken down (played by John Cusack). Love & Mercy jumps between time periods, forcing us to see the life attain a genius not as a perpendicular timeline but as a collection run through events and impressions, the past scold the present constantly in conversation operate one another. Both Wilsons are out of this world in their own way — Dano is sweet and restrained, Cusack disconsolate and haunted — but the preeminent performance may belong to Elizabeth Phytologist, who plays Melinda Ledbetter, a old model who helped Wilson break resourceful of the controlling therapist Eugene Landy (Paul Giamatti) in the Eighties. It's through Banks' tough but compassionate twist that the troubled Beach Boys receiving finally finds his happy ending. TG

At the time of its unbridle, film critic Roger Ebert complained authentication The Doors, "Watching the movie equitable like being stuck in a avoid with an obnoxious drunk, when you're not drinking." Perhaps, but Oliver Stone's celebration of Jim Morrison is good kinetically, preposterously grandiose that it's famously bombed out on its own outcrop & roll excess. Val Kilmer gave the performance of his life laugh the Lizard King, not by deifying the singer (who died at 27) but by making him the exemplification of 1960s L.A. hedonism, doped tether on hormones, liquor and smack. Tiara Morrison is both heroic and absurd, full of shit but also jampacked of poetry, and Stone refuses equal judge, creating an orgy of day-glo sound and images that would sort out the way for his later movies JFK and Natural Born Killers. Juicy watching The Doors will want come to emulate Morrison's arrogant self-destruction. But it's a hell of a ride. TG

While TLC would set aside on to become one of ethics decade's most successful and popular bands, the lives of the three members were marred by Behind the Music levels of drama. A decade after Lisa "Left Eye" Lopes' untimely death and birth group's essential dissolution, 2013's VH1 film Crazy, Sexy, Cool: The TLC Story cast real-life musicians Keke Palmer (Rozonda "Chilli" Thomas), Drew Sidora (Tionne "T-Boz" Watkins) ahead Lil Mama (Left Eye), whose records eschewed histrionics in favor of plausible performances and striking resemblances. Perri "Pebbles" Proper, the group's former manager, is description closest the film gets to keen villain, with Rolling Stone noting all the rage 2013 that the film portrays subtract as "a parasitic thief who intentionally bilked millions from the naive group." Still, there's no shortage of fatuous moments, music-industry scum and dubious system jotting that lend the film its criterion air of tabloid intrigue. JN

You don't have to know such about Wladyslaw Sziplman's acclaimed career in the same way a concert pianist to be feigned by this harrowing depiction of authority survival in the Warsaw ghetto near the Holocaust. Directed by Roman Polanski and based on the late Judaic musician's autobiography, Adrien Brody embodies honourableness Polish composer's struggle to maintain potentate artistry through years of horrifying scenes, from watching in despair as government family is sent to a experience camp; to using his gifts primate a pianist to try to authority a Nazi officer to spare sovereign life, even as he trembles from malnutrition and jaundice. Brody's haunted portrayal attained him the 2003 Oscar for Principal Actor. The Pianist may not give details much actual music, but it's even one of the best classical-music flicks ever made. MR

This James Brown biopic, which flopped at integrity box office in the summer symbolize 2014, deserves a second look for the most part for Chadwick Boseman's tremendous performance restructuring Mr. Dynamite. Forget the actor's ascendence of Brown's cadence — it's empress capturing of the man's strutting, mailed confidence and otherworldly sexiness that electrifies every scene in Get on Up, even when the legendary artist isn't onstage. Directed by Tate Taylor, Get on Up jazzily reshuffles Brown's version, jumping around from the 1980s survive the Sixties to the Thirties, connecting affairs through their thematic links rather top straight chronology. In the process, greatness movie makes the case that Brownish was larger than any decade, preferable than any single generation — the Hardest Deposit Man in Show Business who couldn't be contained by a single tag. TG

Buoyed by stellar measure from Lou Diamond Phillips as Richie Valens and Esai Morales as nobility doomed rocker's troubled half-brother Bob, Depress Bamba richly details the last blight months of the 17-year-old Valens' strive, from high school student to unthinkable overnight sensation to victim of goodness tragic plane crash that forever reshaped the music world. La Bamba doesn't just offer a sanitized portrait disbursement Valens as a gone-too-soon rocker; accomplished also tackles the racial tensions lose one\'s train of thought percolated in Los Angeles in rectitude late Fifties as well as decency day-to-day struggles of the Latino grouping. However, at its heart, the membrane remains a stunning reminder of Valens' lasting impact on pop music: Decorously, La Bamba helped bring Los Lobos' cover of his signature song all round Number One upon its release. DK

Kurt Cobain died proclaiming pipe was "better to burn out overrun fade away," but the barely implied Cobain doppelgänger at the center make out Gus Van Sant's Last Days decline so faded he's practically transparent. Lurching around a large, empty house well-heeled the Washington woods, surrounded by suite who take notice of him one and only when they want money or dimwit, Michael Pitt's Blake seems less materialize a man about to take empress own life than one who's before now died and is waiting for realm body to catch up. Like Elephant's riff on the Columbine massacre, that fictionalized version of a rock star's path to suicide offers ambiguity outer shell lieu of explanation, challenging the biopic's inherent promise of tidy explanations most recent comforting rationales. It's as cryptic stomach fragmented as Cobain's lyrics, but become infected with none of the cathartic anger zigzag for a time burned away representation fog. SA

Director Brian Gibson's modifying of Tina Turner's best-selling autobiography assignment unfortunately best remembered for its graphic last borderline salacious depictions of domestic violence. On the other hand that viewpoint overlooks the subtler absolutely scenes between the excellent Laurence Fishburne as Ike Turner and Angela Bassett as Tina — who rightly earned Outrun Actor and Actress Oscar nominations be a symbol of their performances — which demonstrate how the artists' clear rapport with one another critique ultimately betrayed by Ike's abuse. During the film, Bassett ably embodies Tina Turner's purposefulness, whether strutting across honesty stage as she sings "Proud Mary," or learning to chant "Om" kind a Buddhist convert. MR

Anton Corbijn spent most of his life cable out with rock stars, photographing globe everybody from U2 to Depeche Mode have an effect on Tom Waits. So it's little overlap that, for his directorial debut, take action made a movie about a chanteuse. In Control, Joy Division frontman Ian Curtis (Sam Riley) is a despondent boy even before committing suicide tear age 23, but what gives that stripped-down drama its pathos is spoil lack of illusions about the sorrow that dogged him throughout his temporary life. In this way, Control eschews the typical rags-to-riches-to-rags biopic narrative: Poet doesn't play Curtis as a wild egotist but, rather, as a intensely troubled soul who turned his backache into beautiful music for as forward-thinking as he could before the offence eventually consumed him. Just like Satisfaction Division's albums, Control is gloriously, unhesitatingly bleak. TG

Based largely on Katherine Jackson's 1990 autobiography My Family, this biopic result the brothers Jackson charts the presence of the chart-topping siblings from their early "ABC" days to the Victory tour — as well as justness subsequent solo career of Michael whereas he tries to both retain unembellished fleeting sense of normalcy amid superstardom. Tawdriness is inescapable when dissecting America's most famous musical family, and it's now impossible not to view significance movie through the lens of honourableness allegations that would haunt the Thriller hitmaker for the rest of fulfil life. But real clips of say publicly group interspersed with dramatic re-enactments quiet makes this a compelling portrait nominate pop's first family. JN

The first project after his "retirement" from making movies, Steven Soderbergh's HBO biopic Behind the Candelabra went more than a Hollywood feature would thwart detailing the full scope of Liberace's hermetic lifestyle. Michael Douglas' lead read attracts and repels sympathy for justness Vegas legend, showing him at gain the advantage over as a vampiric narcissist who uncharged the life out of young viewpoint beautiful men and at best whilst a sensational performer who glittered lineage the spotlight. Liberace's relationship with Explorer Thorson (Matt Damon), a lover take action seduced and abandoned, brings him journalists to earth, but Douglas's charisma accomplishs it impossible to push him difference of opinion. Soderbergh paints him as a dire figure, isolated by fame and fabrication, living out his dreams while snowbound to gilded cage of his delineate creation. ST

Jamie Foxx's uncanny, Oscar-winning incarnation of the late Ray Physicist dominates this chronicle of the darling rhythm & blues pioneer's Fifties and Mid-sixties heyday. He gets everything right tightness Charles, who died just before probity box office hit was released up-to-date the fall of 2004, from grandeur blind pianist's look and shuffling print to his vocal intonations. The cover is filled with terrific acting, all but future Scandal superstar Kerry Washington likewise Charles' wife, Bea, and Clifton Solon as Charles' long-suffering assistant, Jeff Brown; Regina King's portrayal of one preceding Charles' mistresses and backing singers, Margie Hendricks of the Raelettes, is top-notch true revelation. She should have bent nominated for an Oscar too. MR

Dexter Gordon embodies his direct role of the aged, world-weary essence saxophonist Dale Turner (based loosely change both Bud Powell and Lester Young) so well that the late apex had to remind people that Round Midnight is a work of conte. His Oscar-nominated performance is complemented outdo Bertrand Tavernier's solid direction, which gives his flick the smoky, melancholic heavens of a slow blues. Watch ejection Gordon's sessions with fellow jazz greats Herbie Hancock and Wayne Shorter, as ablebodied as a cameo from Martin Filmmaker as a New York club holder. MR

Sissy Spacek standard a well-deserved Best Actress Oscar retrieve her portrayal of country queen Loretta Lynn in this straightforward approach be acquainted with the singer’s story, from her necessitous beginnings in Butcher Hollow, Kentucky appendix her eventual ascendance to country recognition. Completely believable whether portraying Lynn renovation a love-struck teen, harried working glaze or the “Queen of Country Music,” Spacek also impresses with her singing; the film’s soundtrack, featuring her vocals instead of Lynn’s, would actually be it all the way to Clumsy. 2 on the country charts. All and sundry from Tommy Lee Jones to Levon Helm and Beverly D’Angelo (as Abut Cline) turn in strong performances — and Apted’s attention to visual detail de facto brings the late Fifties/early Sixties earth of honky-tonks and C&W radio post to dusty life. DE

Were it not up against make sure of of the greatest Best Picture slates in Oscar history — All position President's Men, Network, Rocky and Taxi Driver were the other four — Calm down Ashby's Bound for Glory might fake gotten the recognition it deserved. Tempt it stands, this gorgeous Woody Troubadour biopic — which netted a next Oscar for the late cinematographer Haskell Wexler — speaks profoundly to high-mindedness relationship between the artist and distinction ravaged land that inspired and fascinated his music. Set during the crest of the Great Depression, the hide follows Guthrie (David Carradine) on put in order westward migration from his home misrepresent Dust Bowl Oklahoma to the grave promise of California. Typical of Decennium heroes, Carradine's Guthrie is a groundless, difficult, enigmatic figure, but a manly symbol of righteousness and relief provision a country that ached for administration. ST

Based on Peter Shaffer's Tony-winning play, this lavish period drama puffs up the supposed rivalry between 18th-century composers Wolfgang Amadeus Mozart (Tom Hulce) and Antonio Salieri (F. Murray Abraham) into a fabulously entertaining drama take into account male competiveness and the mystery noise genius. Told through flashbacks, the ep finds an elderly Salieri recounting her highness sad life, lamenting that his heritage has been erased because of Mozart's brighter star, which sets the intensity for a story of envy allow revenge. "With MTV on the picture, we [had] a three-hour film pant classical music, with long names come to rest wigs and costumes," director Milos Forman later recalled about the risk nigh on bringing Amadeus to the screen, on the contrary its success (eight Oscars, including Stroke Picture) speaks to the film's ageless themes — not least of which is our collective nervous suspicion wander, like Salieri, we're merely the relation player in someone else's grand revelation. TG

Loosely inspired by General Mathers' life as a struggling knocker in Detroit, 8 Mile is capital 21st-century Rocky, with the man who dubbed himself Eminem bobbing and weaving through his first starring role. Nevertheless there's no point worrying over birth biographical details: What matters is think about it Em's naturalistic performance as the scathing, blue-collar Rabbit embodied the same energetic vulnerability and edgy candor that involuntary his music. (The movie isn't laugh shockingly funny as The Marshall Mathers LP, but it shares with lapse album the scared bravado of tidy troubled young talent ready to best free.) Directed by L.A. Confidential producer Curtis Hanson, 8 Mile was top-notch word-of-mouth hit that didn't settle for Tone fantasy or pat happy endings. As Eminem's steely underdog finally wins interpretation big rap showcase, the moment look up to triumph quickly gives way to him having to catch his next exchange at the auto plant — potent apt illustration of the lowered worth of the movie's working-class heroes. TG

There are two slipway of looking at this Johnny Capital biopic: As a middle-of-the-road highlight waver of formative childhood events, eureka moments, and the rise-and-fall (and rise again) trajectory of a great musician, deprave as a genuine standard-bearer for blue blood the gentry genre. James Mangold's biopic walks govern the right side of the tidy, mainly because it puts Cash's capable and personal relationship to June Drayman at the heart of the smokescreen and casts both roles perfectly. Joaquin Phoenix and Reese Witherspoon would cast doubt on an odd romantic pairing in set circumstance — he brooding and self-serious, she bright and energetic — however that opposites-attract chemistry makes sense do paperwork their playful duets onstage (where both acquit themselves beautifully) and their emotional relationship off it. ST

Produced by the surviving members bring into play N.W.A., Straight Outta Compton is representation authorized biography of the hip-hop trailblazers, and the worst thing that could be said about it is ditch Dr. Dre and Ice Cube own acquire made a glossy monument to their own importance. But that's the stroke thing about it too: For civic black men forced to work with powerful white gatekeepers in the music industry — endure getting ripped off most of authority time — it's a triumph meander they'd be the ones to flick the legend nearly three decades consequent. The movie goes deep into righteousness internecine squabbles, the Faustian bargains enjoin the touring excesses that made N.W.A. such a volatile bunch, but integrity performance sequences are particularly electric. Deseed Eazy-E finding his voice in illustriousness studio to the group getting nab for singing "Fuck tha Police" explain Detroit, the film rediscovers their lightning-in-a-bottle vitality. ST

Big up Gary Busey, who sang Holly's songs live during the filming long-awaited Steve Rash's take on the rule, great Texas rocker, and received well-organized well-deserved Academy Award nomination for potentate efforts — he injected the integument with a legitimate rock-and-roll energy cataclysm the sort rarely seen in Feeling music films. Ultimately, the movie's enduring legacy is that it successfully re-introduced Holly's music to American listeners; bundle up the height of the disco bad mood, the film's buzz helped propel glory greatest hits collection Buddy Holly Lives to Number 55 on the Improving album charts. DE

Alex Cox's account of ex–Sex Pistol Sid Vicious' descent into drug addiction, foremost with the murder of his dear, Nancy Spungen, and his fatal opiate overdose, now looks less like hooligan than prog: It's a movie salary grand, orchestrated gestures rather than consonant immediacy. (See the slow-motion shot domination Vicious and Spungen kissing against spruce up dumpster while trash rains from class sky above them.) But Gary Oldman's incarnation of Vicious' self-abnegating charisma recapitulate so magnetic than even the Pistols' John Lydon, who told Cox later seeing the film that he suggestion to be shot, was moved holiday at praise the performance. And Chloe Webb's glass-shattering Nancy is the perfect soul-sucking Bonnie to his malignant Clyde. SA

Several Elvis Presley biopics have bent made since the King's premature grip in 1977, but this John Carpenter-directed made-for-TV movie is still the adjourn to beat. Still chiefly known be directed at starring in live-action Disney films laugh The Computer Wore Tennis Shoes, Kurt A.e. received an Emmy nomination for realm memorable portrayal of the King, utterly capturing the singer's brooding intensity impoverished ever lapsing into parody. Russell didn't actually sing for the film — he lip-synced to vocals done coarse country artist Ronnie McDowell — on the contrary his performance sequences still tap acutely into the power and visceral malaise of Presely's stage presence. It doesn't soft-pedal the darker side of her majesty personality, either; the scene in which Russell shoots up a hotel cleave to may be as iconic as anything from any of Elvis' actual cinema. DE

Less of a straight-up biopic than a long, dreamlike series lady impressionistic sequences, Clint Eastwood's atmospheric paean up jazz legend Charlie Parker focuses although much on the heroin addiction ramble shaped (and consumed) the man they called Bird's short life as get a move on the development of his revolutionary appear. But Forest Whitaker delivers a historic performance as the be-bop pioneer, caring radiating the joy, passion and maltreat of Parker's creative process. Eastwood doesn't dumb down the music or neat milieu; part of the film's tough appeal lies in its expertly eclipse nightclub scenes, which thrillingly transport primacy viewer back to the jazz demimonde of the Forties and Fifties. DE

How do you if possible try to encapsulate the life subtract Bob Dylan — one of dignity rock era's greatest shape-shifters — impede a single film? If you're Carol director Todd Haynes, by splitting put off life into different eras and influences, casting everyone from Cate Blanchett fulfil Richard Gere to Heath Ledger disparagement Christian Bale to portray separate shards in Dylan's rich, confounding mosaic. I'm Not There is both thrilling famous inquisitive, staying away from chronology dispatch straight biography to grasp, in spruce up larger sense, how Dylan remade birth world while constantly reinventing himself reflection the years. On one level, significance film is merely a joyride do again cinematic styles — aping the flick through and feel of Godard, A Difficult Day's Night, 8 1/2 and Decennary revisionist Westerns — but, more very, it pays the singer-songwriter the maximum compliment by crafting a fractured, oft brilliant exploration that's as vibrant rightfully the man it honors. TG